BUILDING AN ATTENTION SPAN


If you’re like most of us, you wonder what the internet is doing to your attention span. You check your e-mail several times a day, toggle over to check what people are saying on Facebook, and check the bank even in the smallest pause in real life. Somehow you feel those phantom vibes begging you to take just one more look.

The truth is that online intelligence nurtures fluid intelligence and offline life is better at nurturing memory. Being online is like being at the greatest cocktail party ever and it is going on all the time.

You can meet people you would almost never meet in real life and when you get tired of the conversation you can just hang up. Are you more like your real self online or offline? Online circulation takes the pressure off some people and they are their best selves online. They feel more in control of the situation.

Offline learning at its best is more like being a member of a book club than a cocktail party. You are not in constant contact with the universe. Research at the University of Oslo and elsewhere suggest that people read a printed page differently than they read off a screen. They are more intentional, less likely to multitask or browse for key words.

Slowness of solitary reading or thinking means you are not as concerned with each individual piece of data. You have time to lose yourself in someone else’s complex environment.

Crystallized intelligence accumulates over the years and leads ultimately to understanding the whole picture and wisdom.

The online world is brand new, but it feels more fun, effortless and natural than the offline world of reading and discussion.

My own opinion is that there is room for both types of learning. It is easier to flip back and forth to refresh ones memory with a paper book, but the internet does encourage a faster mental agility to try to digest so many types of media in a given span of time.

LITTLE GOODY TWO SHOES


goody-two-shoes

Trading insults over a card table one evening, a friend tossed out a challenge in retaliation to one of my own: “OK, Little Goody Two Shoes!”

It’s such an old saying, but where did it come from? We’ve all read the story of the little orphan girl who had only one shoe, and how smug she became when she finally acquired a second. But the phrase was older than the story.

I began searching, and found that the 1765 nursery rhyme seems to have been possibly–a neat kind of backformation, where a story was invented to account for the phrase. Or perhaps the story existed as an oral folk tale before it arrived in print.

The story itself was so long it was called the first children’s novel and even compared to Cinderella who also had a missing shoe. The difference between the two stories is that Goody went about gloating over her good fortune which gives us the moral: don’t shout about your sudden good fortune; it makes you hard to be around. Remember that when you win the lottery or get a new pair of shoes.

The phrase was in use even before the story; it’s found in Charles Cotton’s 1670 book “Voyage To Ireland In Burlesque”. But who wrote the story? First published in 1765, it is thought that Oliver Goldsmith was possibly the author.

It was around before the fairy tales of the Brothers Grimm and the works of Lewis Carroll which attempted to promote excessive goodness to an unbearably sentimental degree. Many of the books I was given as a child praised the good child and sent the bad child to bed with no dinner. Naturally, I did not miss a meal.

BIRD BY BIRD


garage books

I know what you’re thinking: “what’s so special about a garage full of books?”, and you’d be right. But I have an attachment for this overflow of books which won’t fit inside my house. I have come to realize that I can go into nearly every room in my house and lay my hand on a book, and we are nearly out of room. Many of these books are comprised of old paperback classics I pick up at thrift stores. The iPad offers another library, so I can stop obsessing about the thrift store contributions.

When the prospect of writing overwhelms you and causes you to procrastinate, as it surely does to everyone, one of my favorite authors has some good advice. Her advice seems applicable to all types of projects beyond writing—and to life itself.

Anne Lamott is a Bay Area author and teacher who tells it like it is and leaves you with the feeling that if you do it her way everything will turn out OK.

The first useful concept is the idea of short assignments. Often when we sit down to write we don’t have a clue what to write about. Would anyone be interested in our childhood, our family history, or does it even need to be about ourselves? But this is like trying to climb a glacier. It’s hard to get your footing, and your fingertips get all red and frozen and torn up. You begin backspacing whole sentences and then whole paragraphs. This simply isn’t a good writing day and no one will read it anyway. You’re panting like a lapdog and making slow asthmatic death rattles. You breathe slowly and try to decide whether or not you’re too old for this sort of thing. Painting was easier, and sculpture was even more so. I was happy all the time and didn’t care if anybody liked what I made. You reach the point where you sit and notice the dust on the table next to your desk, and wonder if you should return the phone call you got two days ago.

Then, if you have listened to Anne Lamott’s advice you remember the short assignments. She keeps a one-inch picture frame on her desk to remind her that all she needs to bite off for the time being is the amount she can see through a one-inch picture frame. That’s it.

E.L. Doctorow once said that ‘writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.’ You don’t have to see where you’re going, y0u don’t have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice about writing or life, I have ever heard.

As I look at all these books, old or new, I realize that each of these authors may have had a one-inch picture frame on their desk, so I polish up my own picture frame.

Lamott’s favorite story is of her older brother, who, at ten years of age had a report on birds he was supposed to have had three months to write. He had wallowed in procrastination until the report was nearly due when he was overcome by tears. Their father sat down beside him, put his arm around his small shoulder, and said. ‘Bird by bird, buddy, just take it bird by bird.”

THINKING AND READING


I’m in awe of the people who translate from one language to another. Granted that some things which are interesting in one language lose much nuance of story in the hands of the translator. But still we feel the essence of the story.

The California School of the Deaf is in our community, and we often see groups of people communicating in a lovely ballet of hands, making me feel again that I need to learn ASL. When there is a hearing impaired person in the classroom, a translator comes if necessary.

Thinking and reading are thrilling experiences. Reading about interesting real subjects can be inspirational as well as entertaining. My great-aunt and uncle had a small library, and since I went to stay often with them, I became familiar with most of the books in it. It was heavy with old-time children’s books, and shaped a steady reading habit which has lasted all my life.

Reading requires that you must think, but when you are in an anti-acquisitive mode, words are just words. If the mind becomes burdened with outside thoughts, you may be reading words, but you aren’t thinking.

My grandson in the painting below is studying his family’s photo album, sorting out where he fits in the stream. His ancestors are mere shadows in the background.

Read, every day, something no one else is reading. Think, every day, something no one else is thinking. Do every day, something no one else would be silly enough to do. It is bad for the mind to be continually part of unanimity.


“Tyler Reading” watercolor painting by kayti sweetland rasmussen