CREATVITY


Virginia Woolf was ahead of her time when she wrote that everyone needs a room of one’s own. What you do in that room is up to you. Sometimes I simply sit and think. It has the sound of silence which is missing in so much of our lives today.

My room is filled with things which have meaning for me. There is a tiny painting a neighbor man gave me when I was eight, a larger painting which hung in my Grandma’s crowded bedroom, sn old sewing machine head made into a lamp, books on Indian crafts, more books, lots of things other people might have thrown away; my mother’s jacks, the flag they gave me at my father’s funeral, a few tiny dolls tucked on a shelf, jars of paint brushes, a pallete fo watercolor paint, a shelf of acrylic paint, stacks of canvas and watercolor paper, an old pink elephant, trunks full of photographs, and another filled with old report cards, letters, my husband’s block sweater from high school. etc. The walls are crowded with pictures; one of my Tai Chi class, another of a tap dancing class, a family portrait of my best friend’s family. Things that I have made and things others have given me. Looking at what I have written it seems like a chaotic mess but everything is connected to another, and together they form a pattern to my life.

The room of one’s own is special because no one can predict what you may do in it. Various rooms are meant for certain activities, ie the kitchen is not where you sleep and vice versa. Living rooms don’t seem to attract a lot of attention these days, and not a lot of people have actual dining rooms. But the room you have chosen to be your room doesn’d come with a label, it’s a place to let your imagination run wild.

When we lived in Connecticut as a child, there was an old abandoned house next door which I used as a playhouse. I spent hours there making up games, arranging found objects into decorations. In retrospect, the house was an early example of the nesting instinct. I do think some things just come naturally. The old house was my first expression of free will. It was uninhibited imagination, or creativity, if you will.

What is creativity anyway? Is is a conscious pre-planned activity which results in something new and possibly wonderful? Or is it a spontaneous gathering of grey matter suddenly colliding? Some of the most fun pieces I have made came about by accident. During a process of “one thing led to another”. On the other hand, some of the pieces which were planned with deep emotion were never what I called “creative”.

As a child, Grandma insisted that I was “gifted”. What did that mean to a child? A gift was something current and profitable. I had received neither. I was given singing and dancing lessons because Great-Aunt Corinne was a well-known opera singer in Canada, which stood to reason that the talent was in the genes. It wasn’t. The houses I drew in school were shown to the class because they not only had the correct number of windows and doors and chimneys, but I had drawn people on mine. I obsessively copied the faces of movie stars from the movie magazines. Nothing creative about that; in both cases a matter of good observation.
I have become complacent these days and have stopped waiting for that A-Ha moment, when I have accidentally dropped a blob of paint where it shouldn’t be, and it makes me wonder why I didn’t think of it before?

One’s imagination is like any other muscle; it needs to be exercised or it will rust. The room of my own enables me to exercise a certain amount of that muscle. Sometime it may become a great notion.

THE PURPLE HORSES


Sculpture by kayti sweetland rasmussen

You can find amazing and wonderful stuff when rummaging about in old files.  The story was written by my grandson, a wildlife biologist, when he was twelve years old.  I was struck by the compassion, imagination and sensitivity he showed even at that young age.  As I watch him with his small children and hear stories about his work today, I think the seeds of a good man were sprouted early in his life.

  THE PURPLE HORSES

Derick Mitchell had cerrebral palsy.  The other children cruelly made fun of Derick  because he was different from themselves.  He had no friends at all, but he always imagined that he had one special friend whose name was Wyatt.  He hoped that Wyatt would come true one day.

Derick and his parents decided to go on a trip to Yosemite.  His mom was very excited, as the family was very poor and money for trips was scarce.

As Derick began to pack his clothes, he happened upon a large cross and chain in his bottom drawer.  He had never seen it before, and wondered how it came to be in his drawer.  It was made of silver and was very bright and shiny, with a silver chain.  He picked it up and turned it over to see if there was an inscription on the other side.  There was no writing, but there seemed to be a tiny worn drawing.  He rubbed it on his shirt to clean the tarnish from it.  Yes, it was an engraving of a running horse.  How strange, he thought.

Suddenly,  Derick’s thoughts were interrupted by his mother’s voice calling him.  “Derick, let’s go!  What is keeping you so long?  We are all ready in the car.”

“”I’ll be right there, Mom” he called.  He put the cross around his neck and tucked it inside his shirt.  For the tme being, he would keep this his secret.

It took them about 7  hours to get to Yosemite.  Derick’s mother told him about all the beautiful mountains and streams he would see when they got there.  It made him happy to see her so excited.  Finally they arrived late in the afternoon, and it was as beautiful as he had imagined.  The air smelled fresh and new, and the streams were as clean as the air around them.

They set up their campsite and Derick began to unpck his clothes.  Some kids came up and began to call his a “retard” and some otheer bad names.  A tear trickled down his face.  “Oh look at the wimp” they laughed, and ran away.

Slowly Derick rolled off in his wheelchair.  It was not easy wheeling over the rough terrain, but concntrating on the difficulty he was having made him forget how cruel the children were.  He went along for a long time, breathing the fresh air and loving the beauty of the tall trees.  He heard the loud rushing sound before he actually saw the waterfall.  Amazed at how very beautiful it was, he stopped and stared at it.  It seemed to fall right from Heaven itself.  The basin it fell into was surrounded with large rocks, and the water boiled and churned among them before it went bubbling off down the stream to finally join the river which flowed through the valley.

As Derick gazed at the waterfall, he became aware of a movement behind it.  He moved a little closer, and suddenly two horses stepped out from behind the veil of water.  Derick could not believe his eyes.  The two horses were purple… a beautiful purple color.  He sat as still as a tombstone watching them toss their lovely manes in the rainbow of the waterfall.  Anything seemed possible in this mystical spot.

The horses looked at him and motioned for him to follow them.  He wheeled quickly over to the waterfall and went into it.  When he came out the other side there were hundreds of horses, all different colors, running and playing.  Then he saw a mother horse have a baby.   The baby tried  to stand but it was too weak.  Derick thought of himself as he watched the tiny thing struggle to stand on his weak legs.  He wheeled himself over to the little horse to try to help in some way.  Suddenly he thought of the cross around his neck.  He took it off and placed it around the young baby’s neck.  Without hesitation the colt stood, looked at Derick and began to prance.

Derick suddenly felt an unfamiliar surge to through his legs.  He could feel his feet!  He lifted first one leg and then the other.  He stood up and began to walk around his wheelchair.  “I can walk!” he shouted with joy.  The baby horse came up and nudged him  and then ran away.  Derick thought that must have been his way of saying thank you.

Leaving his wheelchair, Derick ran back to the campsite.  His Mom cried out and tears ran down her face.  “How did this happen?”  she asked as she hugged him close.  Derick looked at her and said “The Purple Horses.”

PEOPLE WATCHING


As an artist, I am a people watcher.  I may not remember your name, but I will always remember your face.  I remember a woman I never met who was sitting on the  front steps of an apartment building ten years ago.  She was a black woman wearing a bright dashiki and a colorful scarf around her head.  I longed to paint her, but I was caught in  traffic, and late for an appointment.  Her expression while watching the traffic going by her apartment building was sad, and I imagined various  reasons for her pensive gaze.

There are numerous faces which often flit through my mind.  I watch and mentally sketch the contours of their faces and bodies, or draw them in air or on the tale with a finger.  Sometimes  I form the images of faces in the patterns which pop up in carpets or even floors.  Crazy.  Even crazier is when I try to find them again the next day, and they have gone.

This morning in Starbuck’s while waiting in line for morning coffee, I studied the people around me.  There was the man from Lebanon who learns English by working the crossword puzzles.  He is there whenever we go in.  A row of people working on their Apple computers were lined up against one wall.   A table of three 10-11 year old girls were giggling away with their large sized whipped cream fancies.  Mean-spirited as I am and as a former teacher, I wondered why they weren’t in school!  (And as a frugal mother, I wondered where they got all that money!)

There were the old couple in the corner on the soft chairs reading the New York Times.  And just where did all these very tall, very thin and knock out beautiful girls in tight designer jeans and  boots with skyscraper heels come from?  Busy people, rushing to get to work, flash in and out with their mid-morning caffeine fix,  while a couple,  obviously not married, were chatting it up.  He, perhaps in a mid-life crisis, leaning too hopefully toward her while she, half his age,was looking a bit doubtful about the whole thing.

A microcosm of coffee shop life, repeating itself daily, and always fascinating to a people watcher.  Where do they go, what is their job, what are their problems, what is their life?

Then suddenly, it was my turn at the counter and the barista knows well what my order will be:  a vente caramel latte, whole milk, extra whipped cream and extra caramel on top.    Oh, and a tall coffee for Dr. Advice.

A New Sculpture


kilnIt has been a long night.  Too excited to sleep, I have worked and reworked this new project in my mind.   These are the sculptures I most enjoy creating.  The one’s just for me, just because I want to.  Not someone else’s preconceived idea, or a gallery which wants more of what you have already done.  Those are the lucrative, and always flattering requests, but the one you do for yourself is frequently the one you can’t bear to part with, at least until you realize you absolutely have no more space for it!  It becomes your baby.

The light is just breaking through the curtained window, and I quietly leave my bed and sleeping husband, and go to the studio.  I always forget how cold the room and the floor are when I go to it early each day.  I have washed  the floor down the night before, cleaning out the used clay scraps, which when dry, become like dust, to be tracked everywhere. My tools are clean and placed neatly on the work bench.  I prepared 25# of clay the night before, but I may need more.  Oh, how I love the smell of wet clay, plaster, damp wood.  All the myriad  odors that linger in a working clay studio.

I think the ideas which come in the night creep out of some mythical box in my head, like small pieces of paper, each with a suggestion of something new.  Beginnings are magical, the possibilities are endless.  An old hand at this, I realize that I may start several times before I perfect what is in my mind.  I have a good feeling about this one, however, so Iwill begin  slapping wads of quite wet clay around the armament to sketch out the figure.  This will go fast.  The entire piece, if all goes well, will take several weeks of sculpting.   After it is blocked in, I can use drier clay, and begin the actual details.  A few days of drying, and it can be hollowed out.  Cut off the head and hollow, cut off appendages and hollow, glue it all back together.  Then will come the wonder part of it.  The lovingly crafted features, skin, hair, clothing.  It looks pretty good, so I can set it aside for a month or two depending on its size and the weather.  When it is dry, I will sand it and make sure it is fit to put in the kiln.  If it is cracked, it may be repairable, or the crack may be too big.  I might have to begin all over again.  Better be very careful the first time.  Drying time is up, it is looking good, but I know not to pat myself on the back yet.  Kiln time!  He is inside and the temperature will gradually rise to 2800 degrees over a 24 hour period.  A day  or two to cool off, and then it is time to open the cooled kiln.  I want to do this alone, if it isn’t too heavy to move by myself.  It is really a time of birth, private and subject to great disappointment if somehow there was a kiln accident.  Blowups and cracks are caused by careless wedging of the clay, or insufficient drying time, or just because it may have been placed in a bad spot in the large kiln.  With clay, the finishing materials  can be many,  including some I have used to patina bronze sculptures.  But I am so loyal to the earth that is clay.  My ancestors in England and in Canada worked in clay, and I feel a part of them is continuing through me.  It is time to begin.

Art lives through the imagination of the people who are seeing it.  Without that contact, there is no art.                                                                                                                                     

“Heartbeat of the Earth”  original sculpture by kayti sweetland rasmussen