CALIFORNIA GIRL


Wrapped in Love
“Wrapped in Love” stoneware sculpture by kayti sweetland rasmussen

CALIFORNIA GIRL

I’ve looked around a town or two
And I’ve wandered through the world,
But I’ve never met the equal of
A California Girl.

She seems a little softer,
Her laugh is more serene.
She talks a little slower
And finds the time to dream.
She’s a field beneath the freeways,
A meadow in the maze
A hill between the buildings,
New York with country ways.
She can sit with me in silence,
When there’s nothing else to say,
She never talks of freedom,
Because she lives it every day.

She’s open and yet mysterious,
Concerned but not too serious,
She’s class–without pretense
And style–without offense,
Just a California girl.

poem by James Kavanaugh

CENTO


Is a writer guilty of writing a patchwork (cento) of other authors works or opinions? Probably. The very act of communication introduces us to ideas not of our own making which we develop and embellish until even the original purveyor has trouble recognizing or claiming as his own.

Nobel-prize-winning poet T.S. Eliot’s observation is relevant to centos:
“Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds is theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.”

Two examples of centos; The Oxford Cento by David Lehman and The Dong With the Luminous Nose by John Ashbery

Those of us who read or watch a lot of movies see centos in everything. Haven’t you thought to yourself “Oh, I read that in F. Scott Fitzgerald,” or actually knew the next line of dialogue in a movie? They say there is nothing new under the sun, and only so many stories to be told. Just tweak them a little and you may have a best seller. Just be sure to do a good job of your pilfering.

Touch the Earth
“Touch The Earth” watercolor painting by kayti sweetland rasmussen

In rummaging through the books of poetry in my library looking for a particular one, I came upon a book of James Kavanaugh with an inscription from my daughter in 1979. I had forgotten it and I’m happy to have discovered it again.

The following poem is NOT a Cento, but it does have a relation to those who touch the earth.

TO THOSE WHO WALK EASY ON THE EARTH
by James Kavanaugh

To those who know:
that the desert flowers will bloom
when the oil rigs are silent;

that trees will again stand tall
over the ashes of forgotten wars;

that no one can take away the sunrise
or the smells of spring.

To those:
who walk easy on the earth.

PERSPECTIVE


weak moon

Sweet, sorrowful moon
You have no reason to weep.
And yet in your pale grief
You are the most becoming.

Your moonbeams fall delicately onto the foreheads,
Lips and cheeks of evening wanderers,
So lightly that they do not feel their touch
But merely their presence.
They invade the breasts of young lovers huddled
In the dark corners of the emptying streets.

May lay day after day in the sun.
Basking unashamedly in her brassy, showy attractiveness.
Me, I appreciate the unusual, the understated,
I love your mild illumination.

Poem by KATE NICKERSON

LA DOLCE VITA – FELINE FORMULA


Watch Cat
ORIGINAL WALL MURAL “THIS IS A WATCHCAT WATCHING YOU”
by Kayti Sweetland Rasmussen

Choose only human pets who train easily.
Walk casually, but authoritatively, as befits your status.
Exercise moderately, but never let it interfere with your catnaps.
Make absolutely clear that every soft, warm place,
especially human laps, is yours upon demand.
Occasionally allow select humans to touch your person,
but have fang and claw ready should reverent touches cross into familiarity.
Groom fastidiously; after all it’s the exterior that reflects the interior.
Clean and sharpen claws regularly, prepared for instant deployment.
Form habits that suit your comfort, but capriciously change them to avoid predictability.
Stretch fully several times each day, always with liquid but languid motions.
Never allow your server to think the food couldn’t be a little bit better.
Never! Never! Never! allow yourself to be trained to do anything.

—Claudette V and Lory O, November 2013

A VALENTINE FOR MY HUSBAND


lovebirds“How do I love thee let me count the ways” Robert Browning wrote these words to Elizabeth Barrett early in the 19th century.

Have you ever sat and listed the many ways and reasons you love someone? It’s quite difficult isn’t it? It keeps changing day by day and as more and more time goes by, you find more and more ways and reasons to care for someone. The reasons won’t be the same as when you were in the first heat of competition for his affections.

I love you for your kindness, and for the way you remember and celebrate each and every tiny holiday. I love you for knowing that people would rather receive a present than a gift card at Christmas, even if it is a very small package. (Of course, diamonds don’t take up much room.)

I love you for caring how I feel, and insisting upon carting me to every appointment even when I would rather drive myself, when I’m shopping for groceries, (even Nordstrom) and waiting patiently till I complete my mission without hanging over my shoulder.

I love you for being cheerful, even if it is too early for me to wake up and I just wish the world would go away.

I love you for writing real paper & pen letters to all the kids and grandkids instead of e-mail. (You have been told that you may alone in doing this.)

I love you for seeing a problem and insisting on fixing it immediately, even if I might wait and think about it. ( Another large tree came out today and two new ones will go in this week. I would probably have waited a bit longer to remove that lovely plum tree.)

I love you for admitting when you don’t know something. (I don’t always do this).

I love you for realizing we are different and not caring.

I love you for proving that right and left brain people can live happily together without killing each other.

I love you for loving me.

The first Valentine I received from you was when I was sixteen. I had just memorized Robert Browning’s poem in Mr. Cummings second period English class, and fresh in the throes of first love. This will be the 68th Valentine, and those ‘fresh throes” are stronger than yesterday. Happy Valentine’s Day Dr. Advice.

“At the end of the day, only kindness matters.”

“I GOT NO TEETH DARLIN'”


Oldtimer, clay sculpture, KSR

It’s hard to reconstruct a life through the memory of a fifteen year old girl, but Jean Cornelier deserves more of a history than he got.

He came to America as a young race car driver in about 1909, to race against Barney Oldfield, a famous driver who was the first to drive a roaring 60 miles an hour.  Barney had built a reputation by racing for Ford Motor Co., and he was a challenge for any young and daring young driver of the new “contraptions”.

There’s no record as to how well he did on the track, and other than a few gruff references to his racing career, that was his youth as far I ever knew.

He may have met and married my Great-Aunt Hazel in San Francisco, where she had been married and divorced from a prominent lawyer there, and thus he became my Uncle Jean.

Hazel had been born and raised in Grants Pass, Oregon, and this is where she and Jean settled down on a large piece of property out in the country where they raised chickens, cows and a few sheep.

They certainly had money as they bought several buildings in town, as well as many acres of land, but they chose to live in a rough cabin-like house consisting of one large communal room and a large bedroom, with an outhouse a distance away from the house, and a long dirt road which became a mudhole in the Oregon winter rains.

My first recollection of them was from a visit when I was about 9-10 years old, and coming from a city background, it was a delight to see the farm animals and help collect eggs, etc.

They were homely no-nonsense people, and I was a quiet and curious child and somewhat afraid of Jean, whose English was a bit broken and who did not communicate well with children.  I’m not sure if he really liked them much, or maybe me in particular.

He seemed tall and skinny, and was quite weathered looking, with wild coarse grey hair which never seemed to stay put. His face was craggy, with a very prominent nose taking up the center of his face.  His eyeglasses seemed always to be slipping down and being saved from actually falling by his nose.

He was taciturn and seemingly preferred to be alone, so I was pleased and surprised when he invited me to ride down to the barn with him to milk the few cows.  We bounced along down the hill in an old open-topped truck, narrowly missing large rocks and potholes, and rolling precariously over an open irrigation ditch with no sides.

He gave me my first red Delicious apple and pointed out the infinitesimal white stars all over the shiny skin.  It was probably the juiciest apple I ever had; cold and true to its name, delicious.  With apple juice dripping down my chin and all over my new “farm” clothes, I offered him a bite, and he looked down at me and said “I got no teeth, Darlin'”.

I had never seen anyone without their teeth, and on closer inspection I was surprised to see that he really did not have any teeth!  My Grandpa and another Great-Uncle used to tease me by clicking their dentures in and out, but it did not occur to me that the reason they wore them was because of the lack of real teeth.

My next visit with them was during the War, when I was 15 and we came to live with them for a year.  He seemed older and greyer, and the farm animals had mostly gone, but I think he liked me better.  When he found I liked poetry,  he went to a bookcase in their bedroom where there were several old beautiful leather-bound books and gave me a small book of French poetry.  I have always treasured it, and though I never learned to speak French, my granddaaughter is fluent in the language, so there is someone who may love it as I do.

I have always thought there was a lot more to Jean Cornelier than we ever knew.