SHAMANS AND KUSHTAKAS


North Coast Shaman
Happy Tlingit Shaman, sculpture by kayti sweetland rasmussen

chilcat blanket
Chilcat Blanket Tlingit

Shaman and Kushtaka! Both struck terror in the hearts of the Tlingit and Haida people, for both possessed frightening supernatural powers. The shaman, healer and seer, battled the kushtaka (Tlingit for Land Otter Man; in Haida, gageets) for the spirit of a man in danger of drowning or dying of exposure. Stories of kushtaka exploits, though they may no longer evoke the spine-tingling chill of earlier times, still have the power to mesmerize those who hear them.

The Tlingit and Haida universe abounded with spirits. In this world, the boundaries between animal and human realms were blurred. Early people could hear an omen in the hoot of an owl, or a chilling curfew in the croak of a raven. Should you hear the hoot of an owl, be prepared, it may be heralding very bad news if you are of the North Coast people!

The Chilcat blanket is quite an intricate robe, each family handing down the blanket from generation to generation.

The shaman mediated between the spirit world and the human realm. He was a figure of great power in most Native American cultures. Both the Southwest and North Coast people overflow with tales of the supernatural, so if you are feeling low, see your local Shaman! The cure may be worse that the cause, but it’s worth a try.

PEOPLE OF THE SUN


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“People of the Sun” oil painting by kayti sweetland rasmussen

What is this painting asking us: Are we blind to Life’s possibilities? Are our lips sealed to prevent the dissemination of heretic thought?

The rising sun is obviously our touchstone, without which we would forever wander in the terrors of darkness.

Now put this in the context of today’s life.

Do we stumble through life without taking every advantage offered us in the way of work, play and love?

Are we quiet in the face of dissention? Do we keep our opinions to ourselves for fear of disagreement?

The sun gives new life, light, warmth and hope.

Possibly the painting is saying “The darkness is over, it is a new dawn, and you can escape fears of the night.

GRANDMA, GOD AND AIMEE, 2.


Aimee slipped unbidden into my dream last night, which brought to mind my grandmother’s fascination with her.

Aimee Semple McPherson was a Los Angeles evangelist and media celebrity from the 20’s and 30’s, the largest among a flurry of religious salesmen, all of whom were selling salvation, a commodity always in demand, and which costs them nothing to supply.

In Aimee’s philosophy, God, being Love, desires only that His children be happy, and they cast money into the collection box with reckless enthusiasm to assure them of that happiness. “Just give a little more” she would cajole, and they did.

Aimee’s call to Love offered an eternal Costa del Sol, liberally supplied with food, drink, sex and sun. Evil had no place in this ethereal paradise.

Grandma was a liberated woman seeking a new source of religious interpretation, and was enchanted with the notion that another woman could supply it. LIfe was not easy for my grandmother at that time; a single divorced woman raising two young daughters, while working and running a rooming house in the middle of the Great Depression.

The spiritual bubble burst for Grandma, a highly moral woman, when Aimee became romantially involved with her secretary, who was also married. This was simply too much for Grandma.

They had donned their swim suits and went for a swim on the Southern California beach, when it was reported that Aimee had been kidnapped. The town went crazy with worry over their favorite God-fearing darling, sending out dozens of people, even dragging the ocean searching for her body, and at least one man drowned in the failed effort. A ransom note was delivered, clarifying the terrible news that she had been kidnapped.

A month later, Aimee came walking in, swearing that she had been kidnapped, tortured, and turned loose in the desert to find her way home alone, though her physical condition belied it.

As the money poured in from grateful followers of her Four Square Church, her Temple filled to capacity but without Grandma. She rightly felt that she had been duped, and that Aimee was merely another false Wizard of Oz, hiding behind a shiny curtain.

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LOVE’S PHILOSOPHY


With a nod to Percy Shelley:

The fountains mingle with the river
And the rivers with the ocean;
The winds of heaven mix forever
With a sweet emotion;

Nothing in the world is single;
All things by a law divine
In one another’s being mingle—
Why not I with thine?

See the mountains kiss high heaven,
And the waves clasp one another;
No sister-flower would be forgiven
If it disdain’d its brother:
And the sunlight clasps the earth,
And the moonbeams kiss the sea—
What are all those kissings worth
If thou kiss not me?